Linux ip-172-26-7-228 5.4.0-1103-aws #111~18.04.1-Ubuntu SMP Tue May 23 20:04:10 UTC 2023 x86_64
Your IP : 18.227.140.251
This package was originally debianized by Takuo KITAME <kitame@debian.org> on
Fri, 17 Jan 2003 14:57:28 +0900.
Andreas Henriksson <andreas@fatal.se> later reused the gnome-icon-theme
packaging for the new adwaita-icon-theme package name.
It was downloaded from <https://download.gnome.org/sources/adwaita-icon-theme/>
Files: *
Copyright:
© 2002-2014:
.
Full Color Icons
================
.
Ulisse Perusin <uli.peru@gmail.com>
Riccardo Buzzotta <raozuzu@yahoo.it>
Josef Vybíral <cornelius@vybiral.info>
Hylke Bons <h.bons@gmail.com>
Ricardo González <rick@jinlabs.com>
Lapo Calamandrei <calamandrei@gmail.com>
Rodney Dawes <dobey@novell.com>
Luca Ferretti <elle.uca@libero.it>
Tuomas Kuosmanen <tigert@gimp.org>
Andreas Nilsson <nisses.mail@home.se>
Jakub Steiner <jimmac@novell.com>
.
Some external 3D Assets used:
Geraldo Cockerhan - http://www.blendswap.com/blends/view/40495 CCBYSA
.
Symbolic Icons
==============
.
Metaphors
---------
Claire Alexander <claire.alexander@intel.com>
Hylke Bons <hylke.bons@intel.com>
Darren Wilson <darren.wilson@intel.com>
.
Artwork
-------
Jakub Steiner <jimmac@novell.com>
Lapo Calamandrei <calamandrei@gmail.com>
Hylke Bons <hylke.bons@intel.com>
.
License: CC-BY-SA-3.0 or LGPL-3
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See below for the full text of the CC-BY-SA-3.0.
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On Debian GNU/Linux systems, the complete text of the GNU Lesser General
Public License can be found in `/usr/share/common-licenses/LGPL-3'.
Files:
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Files:
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Copyright:
© 2004 Free Software Foundation
© 2004 Gurban Mühemmet Tewekgeli and Kakilik - Turkmen free software developers community
License: GPL-unspecified
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Files:
src/fullcolor/accessories-dictionary.svg
Copyright:
© Ulisse Perusin
© Lapo Calamandrei
© SoylentGreen
© Luigi Chiesa
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2. Mechanical Rights and Statutory Royalties. Licensor waives the
exclusive right to collect, whether individually or via a music
rights agency or designated agent (e.g. Harry Fox Agency),
royalties for any phonorecord You create from the Work ("cover
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institute, publishing entity, journal) for attribution ("Attribution
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associated with the Work, unless such URI does not refer to the
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credit identifying the use of the Work in the Derivative Work (e.g.,
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based on original Work by Original Author"). The credit required by
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provided, however, that in the case of a Derivative Work or
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as prominent as the credits for the other contributing authors. For
the avoidance of doubt, You may only use the credit required by this
Section for the purpose of attribution in the manner set out above
and, by exercising Your rights under this License, You may not
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sponsorship or endorsement by the Original Author, Licensor and/or
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UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING, LICENSOR
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WARRANTIES OF ANY KIND CONCERNING THE WORK, EXPRESS, IMPLIED, STATUTORY
OR OTHERWISE, INCLUDING, WITHOUT LIMITATION, WARRANTIES OF TITLE,
MARKETABILITY, MERCHANTIBILITY, FITNESS FOR A PARTICULAR PURPOSE,
NONINFRINGEMENT, OR THE ABSENCE OF LATENT OR OTHER DEFECTS, ACCURACY, OR
THE PRESENCE OF ABSENCE OF ERRORS, WHETHER OR NOT DISCOVERABLE. SOME
JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, SO SUCH
EXCLUSION MAY NOT APPLY TO YOU.
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6. Limitation on Liability. EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE
LAW, IN NO EVENT WILL LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY FOR
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ARISING OUT OF THIS LICENSE OR THE USE OF THE WORK, EVEN IF LICENSOR HAS
BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
.
7. Termination
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1. This License and the rights granted hereunder will terminate
automatically upon any breach by You of the terms of this License.
Individuals or entities who have received Derivative Works or
Collective Works from You under this License, however, will not have
their licenses terminated provided such individuals or entities
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7, and 8 will survive any termination of this License.
2. Subject to the above terms and conditions, the license granted here
is perpetual (for the duration of the applicable copyright in the
Work). Notwithstanding the above, Licensor reserves the right to
release the Work under different license terms or to stop
distributing the Work at any time; provided, however that any such
election will not serve to withdraw this License (or any other
license that has been, or is required to be, granted under the terms
of this License), and this License will continue in full force and
effect unless terminated as stated above.
.
8. Miscellaneous
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1. Each time You distribute or publicly digitally perform the Work (as
defined in Section 1 above) or a Collective Work (as defined in
Section 1 above), the Licensor offers to the recipient a license to
the Work on the same terms and conditions as the license granted to
You under this License.
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Work, Licensor offers to the recipient a license to the original
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[Creative Commons Legal Code]
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Attribuzione–Condividi allo stesso modo 2.0 (ITALIA)
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L’ASSOCIAZIONE CREATIVE COMMONS (DI SEGUITO ‘CREATIVE COMMONS’) NON È
UNO STUDIO LEGALE E NON FORNISCE SERVIZI DI CONSULENZA LEGALE. LA
DISTRIBUZIONE DI QUESTO MODELLO DI CONTRATTO DI LICENZA NON INSTAURA UN
RAPPORTO AVVOCATO-CLIENTE. CREATIVE COMMONS FORNISCE INFORMAZIONI DA
CONSIDERARSI “COSI’ COME SONO”. CREATIVE COMMONS NON PRESTA ALCUNA
GARANZIA PER LE INFORMAZIONI FORNITE E SI ESIME DA OGNI RESPONSABILITÀ
PER I DANNI DERIVANTI DALL’USO DELLE STESSE.
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La Licenza
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L’OPERA (COME SOTTO DEFINITA) È MESSA A DISPOSIZIONE SULLA BASE DEI
TERMINI DELLA PRESENTE LICENZA “CREATIVE COMMONS PUBLIC LICENCE” (‘CCPL’
O ‘LICENZA’). L’OPERA E’ PROTETTA DAL DIRITTO D’AUTORE E/O DALLE ALTRE
LEGGI APPLICABILI. OGNI UTILIZZAZIONE DELL’OPERA CHE NON SIA AUTORIZZATA
AI SENSI DELLA PRESENTE LICENZA O DEL DIRITTO D’AUTORE È PROIBITA.
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CON IL SEMPLICE ESERCIZIO SULL’OPERA DI UNO QUALUNQUE DEI DIRITTI QUI DI
SEGUITO ELENCATI, TU ACCETTI E TI OBBLIGHI A RISPETTARE INTEGRALMENTE I
TERMINI DELLA PRESENTE LICENZA AI SENSI DEL PUNTO 8.f. IL LICENZIANTE
CONCEDE A TE I DIRITTI QUI DI SEGUITO ELENCATI A CONDIZIONE CHE TU
ACCETTI DI RISPETTARE I TERMINI E LE CONDIZIONI DI CUI ALLA PRESENTE
LICENZA.
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1. Definizioni. Ai fini e per gli effetti della presente licenza, si
intende per
.
1. "Collezione di Opere", un’opera, come un numero di un periodico,
un’antologia o un’enciclopedia, nella quale l’Opera nella sua
interezza e forma originale, unitamente ad altri contributi
costituenti loro stessi opere distinte ed autonome, sono raccolti in
un’unità collettiva. Un’opera che costituisce Collezione di Opere
non verrà considerata Opera Derivata (come sotto definita) ai fini
della presente Licenza;
2. "Opera Derivata", un’opera basata sull’Opera ovvero sull’Opera
insieme con altre opere preesistenti, come una traduzione, un
arrangiamento musicale, un adattamento teatrale, narrativo,
cinematografico, una registrazione di suoni, una riproduzione
d’arte, un digesto, una sintesi, od ogni altra forma in cui l’Opera
possa essere riproposta, trasformata o adattata. Nel caso in cui
un’Opera tra quelle qui descritte costituisca già Collezione di
Opere, essa non sarà considerata Opera Derivata ai fini della
presente Licenza. Al fine di evitare dubbi è inteso che, quando
l’Opera sia una composizione musicale o registrazione di suoni, la
sincronizzazione dell’Opera in relazione con un’immagine in
movimento (“synching”) sarà considerata Opera Derivata ai fini di
questa Licenza;
3. "Licenziante", l’individuo o l’ente che offre l’Opera secondo i
termini e le condizioni della presente Licenza;
4. "Autore Originario", il soggetto che ha creato l’Opera;
5. "Opera", l’opera dell’ingegno suscettibile di protezione in forza
delle leggi sul diritto d’autore, la cui utilizzazione è offerta nel
rispetto dei termini della presente Licenza;
6. "Tu"/"Te", l’individuo o l’ente che esercita i diritti derivanti
dalla presente Licenza e che non abbia precedentemente violato i
termini della presente Licenza relativi all’Opera, o che, nonostante
una precedente violazione degli stessi, abbia ricevuto espressa
autorizzazione dal Licenziante all’esercizio dei diritti derivanti
dalla presente Licenza;
7. "Elementi della Licenza", gli attributi fondamentali della Licenza
scelti dal Licenziante ed indicati nel titolo della Licenza:
Attribuzione, Condividi allo stesso modo.
.
2. Libere utilizzazioni. La presente Licenza non intende in alcun modo
ridurre, limitare o restringere alcun diritto di libera utilizzazione o
l’operare della regola dell’esaurimento del diritto o altre limitazioni
dei diritti esclusivi sull’Opera derivanti dalla legge sul diritto
d’autore o da altre leggi applicabili.
.
3. Concessione della Licenza. Nel rispetto dei termini e delle
condizioni contenute nella presente Licenza, il Licenziante concede a Te
una licenza per tutto il mondo, gratuita, non esclusiva e perpetua (per
la durata del diritto d’autore applicabile) che autorizza ad esercitare
i diritti sull’Opera qui di seguito elencati:
.
1. riproduzione dell’Opera, incorporazione dell’Opera in una o più
Collezioni di Opere e riproduzione dell’Opera come incorporata nelle
Collezioni di Opere;
2. creazione e riproduzione di un’Opera Derivata;
3. distribuzione di copie dell’Opera o di supporti fonografici su cui
l’Opera è registrata, comunicazione al pubblico, rappresentazione,
esecuzione, recitazione o esposizione in pubblico, ivi inclusa la
trasmissione audio digitale dell’Opera, e ciò anche quando l’Opera
sia incorporata in Collezioni di Opere;
4. distribuzione di copie dell’Opera o di supporti fonografici su cui
l’Opera Derivata è registrata, comunicazione al pubblico,
rappresentazione, esecuzione, recitazione o esposizione in pubblico,
ivi inclusa la trasmissione audio digitale di Opere Derivate.
5. Al fine di evitare dubbi è inteso che, se l’Opera sia di tipo
musicale
.
1. Compensi per la comunicazione al pubblico o la rappresentazione
od esecuzione di opere incluse in repertori. Il Licenziante
rinuncia al diritto esclusivo di riscuotere compensi,
personalmente o per il tramite di un ente di gestione collettiva
(ad es. SIAE), per la comunicazione al pubblico o la
rappresentazione od esecuzione, anche in forma digitale (ad es.
tramite webcast) dell’Opera.
2. Compensi per versioni cover. Il Licenziante rinuncia al diritto
esclusivo di riscuotere compensi, personalmente o per il tramite
di un ente di gestione collettiva (ad es. SIAE), per ogni disco
che Tu crei e distribuisci a partire dall’Opera (versione
cover).
.
6. Compensi per la comunicazione al pubblico dell’Opera mediante
fonogrammi. Al fine di evitare dubbi, è inteso che se l’Opera è una
registrazione di suoni, il Licenziante rinuncia al diritto esclusivo
di riscuotere compensi, personalmente o per il tramite di un ente di
gestione collettiva (ad es. IMAIE), per la comunicazione al pubblico
dell’Opera, anche in forma digitale.
7. Altri compensi previsti dalla legge italiana. Al fine di evitare
dubbi, è inteso che il Licenziante rinuncia al diritto esclusivo di
riscuotere i compensi a lui attribuiti dalla legge italiana sul
diritto d’autore (ad es. per l’inserimento dell’Opera in
un’antologia ad uso scolastico ex art. 70 l. 633/1941). Al
Licenziante spettano in ogni caso i compensi irrinunciabili a lui
attribuiti dalla medesima legge (ad es. l’equo compenso spettante
all’autore di opere musicali, cinematografiche, audiovisive o di
sequenze di immagini in movimento nel caso di noleggio ai sensi
dell’art. 18-bis l. 633/1941).
.
I diritti sopra descritti potranno essere esercitati con ogni mezzo di
comunicazione e in tutti i formati. Tra i diritti di cui sopra si
intende compreso il diritto di apportare all’Opera le modifiche che si
rendessero tecnicamente necessarie per l’esercizio di detti diritti
tramite altri mezzi di comunicazione o su altri formati. Tutti i diritti
non espressamente concessi dal Licenziante rimangono riservati.
.
4. Restrizioni. La Licenza concessa in conformità al precedente punto 3
è espressamente assoggettata a, e limitata da, le seguenti restrizioni
.
1. Tu puoi distribuire, comunicare al pubblico, rappresentare,
eseguire, recitare o esporre in pubblico l’Opera, anche in forma
digitale, solo assicurando che i termini di cui alla presente
Licenza siano rispettati e, insieme ad ogni copia dell’Opera (o
supporto fonografico su cui è registrata l’Opera) che distribuisci,
comunichi al pubblico o rappresenti, esegui, reciti o esponi in
pubblico, anche in forma digitale, devi includere una copia della
presente Licenza o il suo Uniform Resource Identifier. Non puoi
proporre od imporre alcuna condizione relativa all’Opera che alteri
o restringa i termini della presente Licenza o l’esercizio da parte
del beneficiario dei diritti qui concessi. Non puoi concedere
l’Opera in sublicenza. Devi mantenere intatte tutte le informative
che si riferiscono alla presente Licenza ed all’esclusione delle
garanzie. Non puoi distribuire, comunicare al pubblico,
rappresentare, eseguire, recitare o esporre in pubblico l’Opera,
neanche in forma digitale, usando misure tecnologiche miranti a
controllare l’accesso all’Opera ovvero l’uso dell’Opera, in maniera
incompatibile con i termini della presente Licenza. Quanto sopra si
applica all’Opera anche quando questa faccia parte di una Collezione
di Opere, anche se ciò non comporta che la Collezione di Opere di
per sé ed indipendentemente dall’Opera stessa debba essere soggetta
ai termini ed alle condizioni della presente Licenza. Qualora Tu
crei una Collezione di Opere, su richiesta di qualsiasi Licenziante,
devi rimuovere dalla Collezione di Opere stessa, ove materialmente
possibile, ogni riferimento a tale Licenziante o, su richiesta di
qualsiasi Autore Originario, a tale Autore Originario, come da
richiesta. Qualora tu crei un’Opera Derivata, su richiesta di
qualsiasi Licenziante devi rimuovere dall’Opera Derivata stessa,
nella misura in cui ciò sia possibile, ogni riferimento a tale
Licenziante o, su richiesta di qualsiasi Autore Originario, a tale
Autore Originario, come da richiesta.
2. Tu puoi distribuire, comunicare al pubblico, rappresentare,
eseguire, recitare o esporre in pubblico l’Opera, anche in forma
digitale, solo assicurando che i termini di cui alla presente
Licenza siano rispettati e, insieme ad ogni copia dell’Opera (o
supporto fonografico su cui è registrata l’Opera) che distribuisci,
comunichi al pubblico o rappresenti, esegui, reciti o esponi in
pubblico, anche in forma digitale, devi includere una copia della
presente Licenza o il suo Uniform Resource Identifier. Non puoi
proporre od imporre alcuna condizione relativa all’Opera che alteri
o restringa i termini della presente Licenza o l’esercizio da parte
del beneficiario dei diritti qui concessi. Non puoi concedere
l’Opera in sublicenza. Devi mantenere intatte tutte le informative
che si riferiscono alla presente Licenza ed all’esclusione delle
garanzie. Non puoi distribuire, comunicare al pubblico,
rappresentare, eseguire, recitare o esporre in pubblico l’Opera,
neanche in forma digitale, usando misure tecnologiche miranti a
controllare l’accesso all’Opera ovvero l’uso dell’Opera, in maniera
incompatibile con i termini della presente Licenza. Quanto sopra si
applica all’Opera anche quando questa faccia parte di una Collezione
di Opere, anche se ciò non comporta che la Collezione di Opere di
per sé ed indipendentemente dall’Opera stessa debba essere soggetta
ai termini ed alle condizioni della presente Licenza. Qualora Tu
crei una Collezione di Opere, su richiesta di qualsiasi Licenziante,
devi rimuovere dalla Collezione di Opere stessa, ove materialmente
possibile, ogni riferimento a tale Licenziante o, su richiesta di
qualsiasi Autore Originario, a tale Autore Originario, come da
richiesta. Qualora tu crei un’Opera Derivata, su richiesta di
qualsiasi Licenziante devi rimuovere dall’Opera Derivata stessa,
nella misura in cui ciò sia possibile, ogni riferimento a tale
Licenziante o, su richiesta di qualsiasi Autore Originario, a tale
Autore Originario, come da richiesta.
3. Qualora Tu distribuisca, comunichi al pubblico, rappresenti, esegua,
reciti o esponga in pubblico, anche in forma digitale, l’Opera o
qualsiasi Opera Derivata o Collezione di Opere, devi mantenere
intatte tutte le informative sul diritto d’autore sull’Opera. Devi
riconoscere all’Autore Originale una menzione adeguata rispetto al
mezzo di comunicazione o supporto che utilizzi citando il nome (o lo
pseudonimo, se del caso) dell’Autore Originale, ove fornito; il
titolo dell’Opera, ove fornito; nella misura in cui sia
ragionevolmente possibile, l’Uniform Resource Identifier, che il
Licenziante specifichi dover essere associato con l’Opera, salvo che
tale URI non faccia riferimento alla informazione di protezione di
diritto d’autore o non dia informazioni sulla licenza dell’Opera;
inoltre, in caso di Opera Derivata, devi menzionare l’uso dell’Opera
nell’Opera Derivata (ad esempio, “traduzione francese dell’Opera
dell’Autore Originario”, o “sceneggiatura basata sull’Opera
originaria dell’Autore Originario”). Tale menzione deve essere
realizzata in qualsiasi maniera ragionevole possibile; in ogni caso,
in ipotesi di Opera Derivata o Collezione di Opere, tale menzione
deve quantomeno essere posta nel medesimo punto dove viene indicato
il nome di altri autori di rilevanza paragonabile e con lo stesso
risalto concesso alla menzione di altri autori di rilevanza
paragonabile.
.
5. Dichiarazioni, Garanzie ed Esonero da responsabilità
.
SALVO CHE SIA ESPRESSAMENTE CONVENUTO ALTRIMENTI PER ISCRITTO FRA LE
PARTI, IL LICENZIANTE OFFRE L’OPERA IN LICENZA “COSI’ COM’E’” E NON
FORNISCE ALCUNA DICHIARAZIONE O GARANZIA DI QUALSIASI TIPO CON RIGUARDO
ALL’OPERA, SIA ESSA ESPRESSA OD IMPLICITA, DI FONTE LEGALE O DI ALTRO
TIPO, ESSENDO QUINDI ESCLUSE, FRA LE ALTRE, LE GARANZIE RELATIVE AL
TITOLO, ALLA COMMERCIABILITÀ, ALL’IDONEITÀ PER UN FINE SPECIFICO E ALLA
NON VIOLAZIONE DI DIRITTI DI TERZI O ALLA MANCANZA DI DIFETTI LATENTI O
DI ALTRO TIPO, ALL’ESATTEZZA OD ALLA PRESENZA DI ERRORI, SIANO ESSI
ACCERTABILI O MENO. ALCUNE GIURISDIZIONI NON CONSENTONO L’ESCLUSIONE DI
GARANZIE IMPLICITE E QUINDI TALE ESCLUSIONE PUÒ NON APPLICARSI A TE.
.
6. Limitazione di Responsabilità. SALVI I LIMITI STABILITI DALLA LEGGE
APPLICABILE, IL LICENZIANTE NON SARÀ IN ALCUN CASO RESPONSABILE NEI TUOI
CONFRONTI A QUALUNQUE TITOLO PER ALCUN TIPO DI DANNO, SIA ESSO SPECIALE,
INCIDENTALE, CONSEQUENZIALE, PUNITIVO OD ESEMPLARE, DERIVANTE DALLA
PRESENTE LICENZA O DALL’USO DELL’OPERA, ANCHE NEL CASO IN CUI IL
LICENZIANTE SIA STATO EDOTTO SULLA POSSIBILITÀ DI TALI DANNI. NESSUNA
CLAUSOLA DI QUESTA LICENZA ESCLUDE O LIMITA LA RESPONSABILITA’ NEL CASO
IN CUI QUESTA DIPENDA DA DOLO O COLPA GRAVE.
.
7. Risoluzione
.
1. La presente Licenza si intenderà risolta di diritto e i diritti con
essa concessi cesseranno automaticamente, senza necessità di alcuna
comunicazione in tal senso da parte del Licenziante, in caso di
qualsivoglia inadempimento dei termini della presente Licenza da
parte Tua, ed in particolare delle disposizioni di cui ai punti 4.a,
4.b e 4.c, essendo la presente Licenza condizionata risolutivamente
al verificarsi di tali inadempimenti. In ogni caso, la risoluzione
della presente Licenza non pregiudicherà i diritti acquistati da
individui o enti che abbiano acquistato da Te Opere Derivate o
Collezioni di Opere, ai sensi della presente Licenza, a condizione
che tali individui o enti continuino a rispettare integralmente le
licenze di cui sono parte. Le sezioni 1, 2, 5, 6, 7 e 8 rimangono
valide in presenza di qualsiasi risoluzione della presente Licenza.
2. Sempre che vengano rispettati i termini e le condizioni di cui
sopra, la presente Licenza è perpetua (e concessa per tutta la
durata del diritto d’autore sull’Opera applicabile). Nonostante ciò,
il Licenziante si riserva il diritto di rilasciare l’Opera sulla
base dei termini di una differente licenza o di cessare la
distribuzione dell’Opera in qualsiasi momento; fermo restando che,
in ogni caso, tali decisioni non comporteranno recesso dalla
presente Licenza (o da qualsiasi altra licenza che sia stata
concessa, o che sia richiesto che venga concessa, ai termini della
presente Licenza), e la presente Licenza continuerà ad avere piena
efficacia, salvo che vi sia risoluzione come sopra indicato.
.
8. Varie
.
1. Ogni volta che Tu distribuisci, o rappresenti, esegui o reciti
pubblicamente in forma digitale l’Opera o una Collezione di Opere,
il Licenziante offre al destinatario una licenza per l’Opera nei
medesimi termini e condizioni che a Te sono stati concessi dalla
presente Licenza.
2. Ogni volta che Tu distribuisci, o rappresenti, esegui o reciti
pubblicamente in forma digitale un’Opera Derivata, il Licenziante
offre al destinatario una licenza per l’Opera originale nei medesimi
termini e condizioni che a Te sono stati concessi dalla presente
Licenza.
3. L’invalidità o l’inefficacia, secondo la legge applicabile, di una o
più fra le disposizioni della presente Licenza, non comporterà
l’invalidità o l’inefficacia dei restanti termini e, senza bisogno
di ulteriori azioni delle parti, le disposizioni invalide od
inefficaci saranno da intendersi rettificate nei limiti della misura
che sia indispensabile per renderle valide ed efficaci.
4. In nessun caso i termini e le disposizioni di cui alla presente
Licenza possono essere considerati rinunciati, né alcuna violazione
può essere considerata consentita, salvo che tale rinuncia o
consenso risultino per iscritto da una dichiarazione firmata dalla
parte contro cui operi tale rinuncia o consenso.
5. La presente Licenza costituisce l’intero accordo tra le parti
relativamente all’Opera qui data in licenza. Non esistono altre
intese, accordi o dichiarazioni relative all’Opera che non siano
quelle qui specificate. Il Licenziante non sarà vincolato ad alcuna
altra disposizione addizionale che possa apparire in alcuna
comunicazione da Te proveniente. La presente Licenza non può essere
modificata senza il mutuo consenso scritto del Licenziante e Tuo.
6. Clausola iCommons. Questa Licenza trova applicazione nel caso in cui
l’Opera sia utilizzata in Italia. Ove questo sia il caso, si applica
anche il diritto d’autore italiano. Negli altri casi le parti si
obbligano a rispettare i termini dell’attuale Licenza Creative
Commons generica che corrisponde a questa Licenza Creative Commons
iCommons.
.
Creative Commons non è parte della presente Licenza e non dà alcuna
garanzia connessa all’Opera. Creative Commons non è responsabile nei
Tuoi confronti o nei confronti di altre parti ad alcun titolo per alcun
danno, incluso, senza limitazioni, qualsiasi danno generale. speciale,
incidentale o consequenziale che sorga in connessione alla presente
Licenza. Nonostante quanto previsto nelle due precedenti frasi, qualora
Creative Commons espressamente identificasse se stesso quale Licenziante
nei termini di cui al presente accordo, avrà tutti i diritti e tutti gli
obblighi del Licenziante.
.
Salvo che per il solo scopo di indicare al pubblico che l’Opera è data
in licenza secondo i termini della CCPL, nessuna parte potrà utilizzare
il marchio “Creative Commons” o qualsiasi altro marchio correlato, o il
logo di Creative Commons, senza il preventivo consenso scritto di
Creative Commons. Ogni uso consentito sarà realizzato con l’osservanza
delle linee guida per l’uso del marchio Creative Commons, in forza in
quel momento, come di volta in volta pubblicate sul sito Internet di
Creative Commons o altrimenti messe a disposizione a richiesta.
.
Creative Commons può essere contattata al sito
http://creativecommons.org/.
License: GFDL-1.2+
Permission is granted to copy, distribute and/or modify this document
under the terms of the GNU Free Documentation License, Version 1.2 or
any later version published by the Free Software Foundation; with no
Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A
copy of the license is included in the section entitled GNU Free
Documentation License.
Comment:
On Debian systems, the complete text of the GFDL-1.2 can be found
in /usr/share/common-licenses/GFDL-1.2.
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